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Star-Dust by Hurst, Fannie, 1889-1968



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"Well," she said, leaning farther over the desk, and for some reason shaping the word to a breathless question.

"Fifty-one cents," said the girl, through the inimitable laconism of gum chewing.

CHAPTER VIII

Six hours later there was a reply folded in Lilly's purse:

We leave to-day for Washington. Arrive New York next Sunday 2.03 _via_ Pennsylvania. Albert Penny.

An incredible state of calm set in. She had the sensation of each intervening day a shelf of terrace down which she was walking into a deepening sea. Dreams ill-flavored as Orestes' filled her nights, and how tired she was must have sopped into her pillow, but her capacity for the present lessened her dread and made more bearable the fluent and fateful passing of the time.

There were the details of the poor little funeral to be arranged. Lilly, who had never known death, was suddenly face to face with it again, at a time, too, when the incipient beginnings of pandemic that was later to scourge the country was reaping its first harvest; a strange malady carried on the stinking winds of war, shooting up in spouty little flames, that, no sooner laid, found new dry rot to feed upon. Spanish influenza, it was called, for no more visible reason than that it probably had its beginnings in Germany or India.

On the Wednesday of Mrs. Schum's funeral five of the Amusement Enterprise office force were home with it, one little telephone operator, who occasionally laid the surreptitious offering of an orange or a carnation on Lilly's desk, succumbing.

It was amazing how light the imprint of Harry and his grandmother. Of effects there were practically none. A few tired-looking old dresses of Mrs. Schum's. Eleven dollars and some odd change in a tin box behind a clock. Harry's pinch-back suit with the slanting pockets. A daguerreotype or two. The inevitable stack of modest enough but unpaid bills. Odds. Ends. And in a wooden soap box shoved beneath Harry's cot, old door bells, faucets, bits of pipe, glass door knobs, and, laid reverently apart, a stack of Lilly's discarded gloves, placed to simulate the print of the hand.

For days, Zoe, who had taken the tired willingness of Mrs. Schum so for granted, cried herself bitterly into a state that threatened to take the form of a fever, and then to the strophe and antistrophe of her young grief, becoming self-conscious, burst, with not particularly precocious rhyme, reason, or meter, into the following, which was printed in her school paper:

"Teach me to live, O God,
If sorrow be to live,
Then let me know
All pain that it can give."
"Teach me to live, O God,
To know the gold from dross,
To live, dear God, to live.
I care not what it cost."

And Lilly, the dear mother dust in her eyes, had the page framed beneath a faded photograph of Mrs. Schum, taken when her lips and breast were young.

To attune Zoe to the coming of her family was no small matter. She was outrageously rebellious, flagrantly irreverent, and for every outburst Lilly bled her sense of blame.

"You've made a farce of everything, Lilly. You've fought for a principle and, with it won, turned maudlin. What is the idea? To drag me back there to join the sewing circle and the local society for the prevention of spinsterhood to maidens?"